July 23, 2013

THE VACATION IN ART

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I love the quote by the philosopher, poet David Whyte…”Visitation, absence, visitation, absence this is how we learn”  This totally rings true for me. When I come back to work on a painting the following day I have about 45 minutes of objectivity. Things seem more clear and fresh.

Then I tend to slow down. After about an hour and a half, I switch to a new painting. I prefer to jump around. I don’t know if it is impatience with the process or that I am just no longer interested in hours of suffering anymore if the painting is not working and I don’t know how to make it better.. I just wont do it. I think that when you are enjoying yourself you are engaged and this is when especially great work happens. I find that if I just stop, when I come back I usually will find the answer.

I recently heard Bob Moore the founder of Red Mill Natural Foods who is 85 years old give a talk about enthusiasm and passion for business. Most of the audience was half his age. His vitality and enthusiasm around his business was inspiring. In a gesture of unprecedented grace and gratitude he recently handed over his entire business to his dedicated employees.

Among other bits of wisdom regarding business and life,

Bob said “Your  vocation should be your vacation”. I loved this. I don’t think I can hit this all the time in my vocation but still, it is a nice idea to aim for. At least your not going to accept drudgery if that is your benchmark.

Being way more discerning about how I am feeling when I am making my work has made my process more enjoyable and as a result I am getting finished paintings that I like better. It makes sense. It is not a exactly a vacation, but sometimes it feels like for a brief moment or two in the day I am on one. I want this trend to continue.

How do you keep the vacation in your art-making?

See you on the plane,

Nicholas

 

 

2 Comments

  1. dude on July 24, 2013 at 2:16 pm

    yeah so i like that quote too…”your vocation should be your vacation”…seems like if it’s just at least sustainable on a practical level then that would be a great life to live. For me design has been problem solving, not painting. I try not to frame painting as a problem at all because to me it’s primarily an expression of freedom. Yes sometimes a painting is not working and yes you do have to step away. But if I suspend the need to have it answer some outward function and i just let it reflect itself back to me without expectation, then I find it tells me what to do. If I impose some pre-existing narrative over the process then freedom is compromised. A correlate might be in trying to maintain a personal narrative. Having a narrative is not necessarily a bad thing but if the narrative has it’s own separate momentum then we are not living we are being lived. I like the word quiescence… Being quiet, still, or at rest; inactive. There I think is where creativity lies, in the moment where we have room for something else to shine through us.



  2. モンクレール ダウン レディース on September 2, 2013 at 7:57 am

    モンクレール ダウン レディース

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Nicholas Wilton

Hi! I’m
Nicholas Wilton
the founder of Art2Life.

With over 20 years experience as a working artist and educator, I’ve developed a systematic approach that brings authenticity, spontaneity and joy back into the creative process.

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