One tool I like to use is large cardboard cut outs of various shapes. it’s a great way to add some variety to your mark making.
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Hi! I’m
Nicholas Wilton
the founder of Art2Life.
With over 20 years experience as a working artist and educator, I’ve developed a systematic approach that brings authenticity, spontaneity and joy back into the creative process.
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Great suggestion as always!! Cardboard is much cheaper and much more versatile than buying multiple
templates!! Thanks so much sharing.
Thanks so much for sharing this, Nicholas. This is a great idea as well as a time-saver. 🙂
Wow, I LOVE your easy-going, accessible teaching style, Nicholas! I start a new teaching job soon with Middle School aged students so am optimistic that I can get the tech support I need to be able to project your wonderful videos to share with my kids. Hope that’s ok by you!
Your work is so light-filled, gorgeous and inspiring. Hhhmm…just like YOU! Thanks again…these videos make me so happy to be an artist!😀😀😀
thanks Carolyn! Good luck with the kids..
Thanks for sharing about how you use these templates for those cool interesting shapes that are in your paintings. I also appreciate your teaching style, always informative, very relaxed. 😊
Cool. Your very generous about process. It’s helpful as I’m working on two paintings that are , well, not good….yet.
You inspire to keep trying. I was thinking I needed an intervention… to release me from these paintings… but I keep hanging in, and they may yet work, thanks!!
I like this! It’s a great way to spice up a painting that seems ordinary.
Thanks for sharing this collage-esque painting technique. I love the idea of making my own stencils for painting. Often when commercially made stencils are used, the work looks die-cut or machine made. Your approach allows the artist’s unique vision to shine through. Thanks as always for so kindly sharing your ways of working. I think about your videos after watching. The videos inform my later thinking about my work. Thanks again!
I recently made some tile-like shapes and they are so handy to have around the studio, as an additional design element. However I hadn’t thought of using Illustrator to generate them. Thanks for the video, always so helpful and inspiring!
Wow, this tip is awesome. It’s great to see the scale of your large works. I’ll try some reverse stencils too. You’re truly generous about work process.
I was studying at Art Center in the late 70’s. I’m wondering, how about you?
I was there 85 … what an awesome school–I worked so hard but learned a ton!
I graduated in January 79. I worked long hours and loved it. I had John Asaro for one painting course. He was awesome. http://johnasaro.com/section/353267_Dancer_Series.html
This was particularly interesting to me, Nicholas. I’m challenging myself to carry the principles of collage to my painting — and vice versa. Your comments about opposites were very important. Thank you!
Thanks, Nick. This is such a great, fun idea. Thanks for sharing.
Thank You for sharing so generously. I’ve been making my own stencils from foam pads – they are small sizes. Your cardboard cutouts would be good to have, especially for large paintings. I’m going to make them for my larger paintings. Namaste!
Awesome idea. I have been making thick foam stamp cutouts of shapes I like– for a printed look, but a traced shape would bring even more variety! Thank you!
Yes great
thankyou for sharing this, so simple but so so helpful! I have a myriad of stamps and things to make marks, but never thought of this. You and your art are generous.
I will try it today! 🙂
Thank you for your generous studio “lessons”; sharing useful techniques = the perfect amount of inspiration + explanation + tools. After watching I want rush to the studio and create with a spirit of play + experimentation not always accessible but so clearly present in your pieces (which I greatly admire and enjoy!) I love texture, contrast, movement, layers, things hidden/revealed, simplicity / spontaneity / complexity, depth, humor, and more…
I am keenly aware how my tendency to overthink or fill in gaps, kills the work. I feel painting should be organic and filled with life and consider that if I wanted a poster I would fashion it to be perfect for print. Coming from a graphic design background the urge can be strong to touch up the areas where my eye goes to, but years ago a seasoned and wise gallerist suggested “if you fill everything in… you don’t leave any room for the viewer to interact”.
I have used paper templates for ages. Sometimes I paste them to the canvas and then remove them later by moistening them . Other times I paint them and press them wet onto the surface I’m working on, Never used cardboard though , I shall have to consider it in the future.
WOW! Serendipitously ran across one of your posts and I am so glad I did. You are so generous with your insight and it is so cool! I was on the brink of giving up my studio. I was just so frustrated and sad and so self punishing. I have a quick silly question. After you make the shapes in Illustrator and print them, how do you make them so large? Thanks in advance