September 3, 2017

Caught In the Middle

I’ve been working on a painting and for some reason it just wasn’t coming together…something was off. And then, the solution hit me!

Click on the image to watch the video, and see how I solved the issue with my painting.

In gratitude, Nicholas

44 Comments

  1. Judy LaMar on September 3, 2017 at 6:38 am

    Thanks!



  2. Dharla Maiden on September 3, 2017 at 6:39 am

    Thank you, Now I’m thinking that is the problem with a piece I have been working on. Can’t wait to see if this is the solution. Look forward to Sundays with you and your problem solving tips!



  3. Robyn Gold on September 3, 2017 at 6:54 am

    Thanks for all that you share.



  4. Patricia Roshaven on September 3, 2017 at 6:55 am

    This is a little off-topic, but I’d like to pass on this conversation with John O’Donahue that was posted on the On Being website https://onbeing.org/programs/john-odonohue-the-inner-landscape-of-beauty-aug2017/ John has written a book on the value of beauty in our lives, which really helps me keep painting in spite of all the war, famine, poverty, hurricanes in the news.
    Thank you so much for this forum, Nicholas. It means a lot to me.



    • Jamie on September 3, 2017 at 7:14 am

      Thank you Patricia



    • Nicholas Wilton on September 4, 2017 at 9:18 pm

      thanks Patricia–will check it out–thanks for sharing it here..



  5. Jamie Madison on September 3, 2017 at 7:18 am

    Such a small thing in the context of the whole painting, but so powerful. Interesting that you took the spot out instead of trying to create competing spots at the edges. I really like this painting. It has a quieter, deeper, serious and sensual feeling. Thanks always, Nick.



    • Nicholas Wilton on September 4, 2017 at 9:18 pm

      Well that could of worked too–however it depends on the direction we want to go..this painting could of gotten louder and gone that way but I chose to go quieter..completely subjective–your idea could also work…



  6. Tammy Staab on September 3, 2017 at 7:37 am

    Very helpful Nicholas!! Thanks so much for putting yourself out there and sharing this info!! Love to follow, but don’t always comment.



    • Nicholas Wilton on September 4, 2017 at 9:16 pm

      No worry Tammy… thanks for letting me know you are out there though..appreciate it..



  7. elizabeth.harris on September 3, 2017 at 7:38 am

    I love your lessons, Nick- thanks for sharing your process!



  8. Marti Grace Ashby on September 3, 2017 at 7:46 am

    Very helpful! Thank you. And I shall share this.

    Question: I have a couple of pages devoted to art. Is it OK if I post this on those pages?

    Confession: I already did that with one of your videos. :/



    • Nicholas Wilton on September 4, 2017 at 9:16 pm

      Yes Marti–as long as its credited back so others can find my blog– that is super helpful so thanks for sharing!



      • Marti Grace Ashby on December 7, 2017 at 4:38 pm

        I always credit you and Art2Life. 🙂



  9. Milena Zdravkova on September 3, 2017 at 7:49 am

    Thank you for sharing your thoughts and experience! Very helpful again!



  10. Keith Zimmerman on September 3, 2017 at 8:28 am

    Interesting point. I think that I’m actually experiencing this exact thing in one of my paintings. I’ll take a new look at it with this in tip mind. Thanks for sharing.



  11. Glenda Green on September 3, 2017 at 8:31 am

    WOW! That is so obvious AFter you pointed it out!! Thank you for always sharing these gems!



    • Nicholas Wilton on September 4, 2017 at 9:12 pm

      this happens to me ALL the time..I even teach this constantly and I still miss it!



  12. Candace Loheed on September 3, 2017 at 8:57 am

    Interesting. Food for thought, as always. Thanks for sharing your process



  13. Diane Novosad Sandlin on September 3, 2017 at 9:02 am

    Thanks for reminding us again of this insight – I try to stay conscious of the hallowed middle ground but sometimes it sneaks up on you. In this case, it’s such a small, almost smudge, but your eye travels there. The painting it very contemplative – quite beautiful.



  14. sandy on September 3, 2017 at 9:55 am

    I’ve noticed for some time that the middle of any of my work is my nemesis. It’/ like a magnet draws my hand into that black whole and then I have to work out of it. Your example, explanation, and fix was so helpful! Thank you so much!



  15. Chuck Bolland on September 3, 2017 at 9:55 am

    Again, very helpful. I do abstract art as a way to relax and get me away from video editing (which I do for a living). In shooting a video scene I want the point of interest to be just a bit off center from the screen to provide a small margin of visual interest. Apparently this is very related to “pictures that don’t move” as well. You’re demonstration makes the point very clearly.



    • Nicholas Wilton on September 4, 2017 at 9:14 pm

      Interesting…in a way I could in a way not want to edit in your art as a break from the video work…



      • Chuck Bolland on September 4, 2017 at 9:50 pm

        It’s simple really. Following you and applying myself to abstract painting is so different from video editing. With painting, first I only need to please (or displease) myself and it does not matter what anyone else thinks. In video editing I have to please the client. Painting I’m free to break all the “rules” and try things that if they don’t work out I can paint over them. I can take my time or just let myself go. Video editing is telling a story with pictures that change at the rate of 30 per second (29.97 actually). And many times it does get down to that one frame. That’s why I enjoy holding a paintbrush. I also enjoy all your contributions to the art.



  16. Marianne Wysocki on September 3, 2017 at 10:22 am

    This makes so much sense. Thank you. I always seem to get stuck in one area where all things stop and my eye does not travel around the painting.



    • Nicholas Wilton on September 4, 2017 at 9:13 pm

      This is a huge one to get…it makes SUCH a difference



  17. joan elliott on September 3, 2017 at 10:34 am

    Thank you. Your tips are so helpful.



  18. Gail Epstein on September 3, 2017 at 11:29 am

    Thanks so much your tips are most helpful!
    Gail



  19. Ellen Young on September 3, 2017 at 11:40 am

    Hi Nick, So satisfying watching the transformation that the tiny bit of white paint made! Glad you shared it. 🙂



  20. Carol Beth Icard on September 3, 2017 at 12:16 pm

    simply brilliant!



  21. Deborah Moss on September 3, 2017 at 2:49 pm

    I know you hear this frequently but this is EXACTLY what I needed today. I have been working on a piece and I don’t normally put motifs in the center and this particular one is large and dark and IRRITATING and now I know it’s got to go! Thanks so much. 🙂



    • Nicholas Wilton on September 4, 2017 at 9:13 pm

      Great–weird how that works–just when you need it…



  22. David Meier on September 3, 2017 at 3:44 pm

    It’s that muddy yellow/ochre quad above the horizon on right. The brushwork is indecisive. At this stage you’re designing…



    • Nicholas Wilton on September 4, 2017 at 9:19 pm

      Yeah things are totally in flux still…in fact now things are really different again..



  23. Phyllis Jenkins on September 4, 2017 at 12:44 am

    Well, after you pointed it out, it was so obvious! That’s the trick, isn’t it? Seeing it I mean. We just keep learning the same things over again and again, in new ways, don’t we? In life, its, the same. Thank you so much for sharing this Nick. I will remember it so much better now…



  24. margie sands on September 4, 2017 at 9:12 am

    Thanks, very helpful information



  25. Marie Harper on September 5, 2017 at 4:49 am

    Never fails to amaze me how your drip-feeding of the bleeding obvious in your lovely disingenuous manner seems to resonate so immediately and fulsomely with your followers. Methinks the Emperor actually has no clothes.



  26. Victoria M. Perez on September 5, 2017 at 5:22 am

    true, and even a slight color change many times can unify the painting. Thanks.



  27. Lindy G. Gaskill on September 5, 2017 at 2:58 pm

    Thanks for the reminder about composition and elements and how it effects how our eye moves around a painting. It’s been so long now that I’ve taken a class about stuff like this so I love checking in to see what you are teaching.



  28. Susie Dalton on September 7, 2017 at 4:33 am

    I truly didn’t appreciate the problem until you pointed it out – so difficult to be objective about our own work isn’t it? It’s like an itch but you cant reach it! Sometimes I turn things upside down or view in a mirror and the problem jumps right out….wonderful information, as always.



  29. Mary Brown on September 7, 2017 at 6:48 am

    Nicholas, I love your paintings and the way you give us things to think about to make our art better. I am concerned that, on Pinterest, there appear to be copycats of your style. I do understand being influenced by another artist but these people seem to be copying you outright. Having said that though, I like your work better.



  30. Buddy LaHood on September 9, 2017 at 12:18 pm

    You are so awesome Nicholas. I think of you and all I have learned from you every time I am painting. The principles you teach have helped me more than I can express.



Nicholas Wilton

Hi! I’m
Nicholas Wilton
the founder of Art2Life.

With over 20 years experience as a working artist and educator, I’ve developed a systematic approach that brings authenticity, spontaneity and joy back into the creative process.

Join me and artists from all over the world in our Free Art2Life Artists Facebook Group or learn more here about Art2Life.